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Twitch is the place to be for those loving the social side of gaming. So, you’re streaming and have some audio needs that aren’t met with Windows’s limited mixing capabilities and are thinking of buying an expensive mixer to configure your audio setup? This should meet just about anyone’s audio needs, especially streamers. Beyond that, the software also allows for patching the inputs through VST instrument and effect plugins for even more control over the way your audio sounds. For those who use Virtual Cable, this software is written by the same author and provides a lot more control and functionality. I have a streaming PC that I use for my streaming. One of the more annoying things about this configuration is getting audio from my gaming system to the streaming PC without going through a lot of cable splitting, mixers, etc.
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Just game audio is fine, but if I want to add a Microphone? I have to plug a microphone into the streaming PC and use it, which limits the ability to use the same microphone for Discord, in game chat, and any other needs I might have on my gaming PC. I happened to have this from some previous music recording needs, the microphone input could very well be any basic microphone or USB microphone, like a Blue Yeti. This can be seen as Hardware Input 1. My system sounds, including game audio, Discord voice communications, etc are all piped through Virtual Input Voicemeeter VAIO. The buttons on the right of the Fader Boost levels can be selected to tell the mixer which output the sound goes to. As you can see, this is very powerful stuff.
So the questions is how do you set all of this up? Device Manager on Windows to intercept audio within the system and isn’t really intuitive at all. But it isn’t that hard once you really understand what is happening and what you have to do to make it work correctly. You will be told that you need to provide permission for some device drivers to be installed into Windows. This is an important step, it allows the software to intercept system audio at a very low level in the system. Once installed, that is when things need to change. There really isn’t any difference here until you look back at the software.
In the middle of the system you see those two devices under Virtual Inputs. Set your Default device to your Microphone still. There are options here to use the virtual inputs we discussed earlier here, but these are for more complex situations. Here you just select the Hardware device that you have configured as the Default Recording device.
Select A1 and choose your system speakers. At this point you may still not have any sound coming out of your speakers and are worried. Don’t be, there is one last thing to verify before moving forward. Under Hardware Input 1, make sure A1 is NOT selected, this would send your Microphone to your speakers. We all know this is a VERY bad idea. At this point you are basically configured.
Further configuration is going to depend on your specific needs. More configuration of course can be done if you have more output or input devices, there is really a lot here that can be done with this software mixer. I’ll just give a quick overview of some of the basic features. On the right side dial you see the Noise Gate. This functions much like what is set up in OBS but I find it gives far more control.
It takes a second to adjust your head around it, but it works just fine. On the left side dial you see Comp. Play with it as you desire. If you right-click on the screen you are presented with a few more screens and you can cycle through them. The Fader Boost does what you would expect, raises or lowers the db level of the audio on that device before sending it to the selected outputs.
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You can also set the input to Mono and Mute the input as necessary. Here you can do basic things like set the equalizer of the input, adjust the left, right, front and rear focus of the audio and adjust the db levels before sending the audio to the output device selected. This is also where you set your output device for each virtual input. Here is where things can get real funky.
Your hardware outputs are setup here in A1, A2 and A3. You can adjust the stereo and EQ for each output device, and even mute them if you need to do a quick mute for something. You can also set up some Virtual outputs. Let’s say you want all of your mixing being done before it goes to an audio recording software or even Discord or possibly even OBS running on a single PC streaming setup. You set that up as a virtual output to that software and then set the INPUT for that software to that virtual output device. Selecting this output as your input in OBS will ensure that your mixed microphone settings are being used and not just raw microphone input.
I’m not sure how many people still remember Cassette Tapes, but it’s basically just a big representation of some additional audio functionality. As you can see there is a LOT you can do here. BUT, there is one more thing I wanted to discuss that I recently found out about that really extends the functionality of this piece of software. Ok, now that looks very intuitive, doesn’t it? Now, for most users you probably will never need to go in here.
Some audio engineers may see this and get excited but I’m sure the majority of you will be like me and shy away from this screen completely. I have a bit of a baritone voice and those levels are a bit hard for many people to hear. For months I played with trying to get the right levels just to be frustrated and annoyed that it was hard to hear me on the stream. This is where this really comes into play. Needing to do something to the audio above what is built into the system. On the bottom of the screen you see Patch Inserts. You just need somewhere to send it.
Basically any VST host program will let you put in little effects plugins and you can route that audio stream through there to do further manipulation to it. And I found just a great program for this called Minihost Modular. Then, in the Minihost Modular application I’ve run the audio stream through a VST plugin that allows me to cancel out that background hiss. I am not going to get into the nitty gritty here.
I’m including it more to illustrate the power behind this software mixer and how it can really be used to get the audio stream that you not only want but deserve. What to check out next: Our Virtual Compressor guide and our background noise cancellation guide. However, I may not have hit upon something specific that you have come across or you may still have questions. Hopefully I haven’t made you even MORE confused.